The people
behind the work.

As the daughter and granddaughter of builders, I've always known that a house is more than just four walls. Creating spaces layered with meaning isn't just my career, it's my purpose.

My journey started in a small town outside Sedona, where the rich colors of the desert landscape taught me early on that our environments dictate how we feel. That foundation went global as I lived in some of the world's most vibrant cities: Sevilla, New York, San Francisco, Hong Kong, and now Houston.

Immersing myself in these diverse cultures, combined with my formal training at Parsons School of Design, shapes how I see space and how I translate that vision into every window treatment and wall covering we create.

At EverWorldGreen, every solution is custom. That's not just a business model. It's the only way I know how to work.

A lifelong obsession with design — fashion, interiors, texture, the built environment — has always come down to one thing: the gap between what someone imagines and what actually gets made.

My path into interiors started in experiential event production, where I led projects from concept through installation: immersive environments, full buildouts, spaces built to make people feel something specific. That world taught me to read a room and hear a client at the same time — two skills that don't always travel together.

Today I bring that combination of creative instinct and project discipline to EverWorldGreen, where I'm shaping the creative vision in Washington, D.C. Whether it's a custom window treatment or a wall covering, the work is the same: translating what you see in your mind into something physical, definitive, and exactly right for how a room should feel.

Design, at its best, is an intentional narrative made visible. That's the work.